tv

new and noteworthy tv: 4/20-5/3

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Well the shows are finishing up so we have a few that we’ve closed out for now. Fox had Memory of a Killer, which I found to be painful in it’s ridiculous scenarios, Best Medicine which has the charm of a small town but paired with a too closed off Dr played by Josh Charles (who I normally dig), and Doc which I also watch begrudgingly based on the scenarios but end up mostly enjoying. ABC closed out High Potential and Scrubs both of which top my not so serious faves. Another no so serious fave Wild Cards managed another ridiculous but fun finale. HBO also wrapped up fave The Pitt as well as new DTF St Louis which was poignant and overall successful, note if you have seen Patriot you know Conrad can do sad guy shows (that was a sleeper fave).

Catching up with some of my Amazon backlog, Deadloch which I enjoyed though maybe not as much as the first season (this one was a little shorter so maybe less time to develop), as well as Jury Duty Presents: Company Retreat which I’m glad they kept the protagonist sweet but as someone who hates a prank found it not all that entertaining, and Steal which was a short heisty caper with some twists but didn’t totally pull me in.

For movies I tried The Testament of Ann Lee on Hulu which for me wasn’t all that successful, 28 Years Later: The Bone Temple on Netflix which was a solid personal dynamic struggle. Crime 101 which had all the ingredients of fun and yet lacked some, and Pretty Lethal which had enough fun (and gore) to make up for it’s silliness, both on Amazon.

  • Running Point (Net) Season Premiere, Thursday 4/23 – This show was fun with Kate Hudson as the party girl turned business woman who has to prove she has what it takes to run a pro basketball team to her family and beyond.
  • Stranger Things: Tales from ’85 (Net) Series Premiere, Thursday 4/23 – I had some fun with this but not enough to return for an animated revisit.
  • Half Man (HBO) Series Premiere, Thursday 4/23 – When an estranged brother returns for a wedding the violence brings us back through their lives.
  • Widow’s Bay (App+) Series Premiere, Wednesday 4/29 – A small New England town’s mayor, Matthew Rhys, tries to bring tourism to the town only to find some of the superstitions may be a thing in this comedy.
  • Man on Fire (Net) Series Premiere, Thursday 4/30 – Based on the film a special forces vet tries to keep a girl alive in Rio.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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sometimes good is better than great

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Thursday I was excited to sit down to watch Hacks, which has consistently been on my top tv list. But actually on Wednesday I was also excited to sit down and watch High Potential and Will Trent, two shows not on my top tv list. We don’t always want to sit down and watch great tv. A lot of what I look forward to each week falls into different categories. Shows that are just… good. Easy to get into. Consistently entertaining. The kind of tv you’re happy to see show up midweek.

And to be clear, what falls into this category is pretty personal. There are shows I can’t get past for one reason or another. A character that doesn’t quite land, a premise I don’t fully buy. I know people who feel that way about entire genres. For me, if a show has a cast I like and a format that doesn’t demand my full attention, I’m usually in. Whether it’s a procedural, a comedy, or something in between here are some of the shows that came to mind.

  • Abbott Elementary (Abc) Still one of the most consistently sharp comedies. Strong ensemble, smart writing, and it makes it look effortless.
  • Bad Monkey (App+) I dig me some Carl Hiaasen chaos and they do a pretty good job of capturing the spirit with Vince Vaughn as an appealing not altogether together lead.
  • Elsbeth (Cbs) They took a favorite side character from the world of The Good Wife/Fight and put her in circumstances that let her shine, we see who the culprit is so it’s all about the interplay.
  • Emily in Paris (Net) Not good in the traditional sense but completely bingeable anyway, it knows exactly what it’s doing with its ridiculousness and outfits.
  • Ghosts (Cbs) Again with a fun ensemble in endlessly quirky scenarios and ongoing bits, gets funnier over time.
  • High Potential (Abc) Kaitlin Olson shines as the lead here and sails through each week’s crime with enough overarching story and a little romantic tension.
  • A Man on the Inside (Net) Ted Danson is always a charmer and this role is meant for where he is, each season brings (and brings back) a fun cast and an appealing light mystery.
  • Only Murders in the Building (Hulu) At its best it was on the best list but this trio of crime solvers may have gotten more ridiculous, it’s still a fun hang.
  • Peacemaker (Hbo) Big, chaotic, and very specific in tone, it commits fully and brings the outlier characters together in a way that brings you in.
  • Scrubs (Abc) A return that is one of the few that nail the tone in a continuation and it’s a comfort to sit down with these characters again.
  • Stumble (Nbc) A really fun and funny docu-style look at an underdog cheerleading team that brings the quirks and the heart with a fun cast and a great leading performance by Jenn Lyon.
  • Twisted Metal (Pea) Super weird but this post apocalyptic car race lands with its comedic and brutal over the top tone.
  • Wild Cards (CW) Light, playful, and built for easy watching the will they won’t they criminal + crime solving doesn’t take itself too seriously, which is part of the appeal.
  • Will Trent (Abc) I’ve heard complaints from those who read the books but for me it’s a fun take on the extra skilled detective formula with a good supporting cast.
  • Your Friends & Neighbors (App+) Jon Hamm heisting in his fancy neighborhood, heck yes, and of course it’s always on the edge of unraveling.

They’re the shows I actually keep up with. The ones I’m happy to put on first without thinking too much about it. The ones that fill in the gaps between the heavy hitters.

And honestly, that counts for a lot. What are some of your go-tos that are good, but maybe not great?

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new and noteworthy tv: 4/6-4/19

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I finished the middling second season of Cross and the not good first season of Scarpetta both on Amazon Prime, Prime is certainly claiming this tv based on book series. I also did a rewatch of Buffy to somewhat coincide with the release of New Sunnydale only to be surprised that the pilot didn’t get picked up.

Movie-wise I felt compelled to catch the second Wicked, For Good, which really should have just been a single movie. Is This Thing On brought a tough look at longstanding marriage with good performances but was short on laughs. I enjoyed Ballerina the latest John Wick-ish flick enough, mostly because I’m invested in the universe and mostly forgive the unbelievable relentless pace. I quite enjoyed Mike & Nick & Nick & Alice which was also brutal but had some charm and clever turns.

  • The Testaments (Hulu) Series Premiere, Wednesday 4/8 – Based on Margaret Atwood’s book this is an evolution of The Handmaid’s Tale which I haven’t watched, supposed to be good but I just can’t with the world.
  • The Boys (Am) Season Premiere, Wednesday 4/8 – The fifth and final season of this uneven and yet compelling series, I was mostly reinvested after enjoying Gen V and I don’t think we’re done with spinoffs.
  • Big Mistakes (Net) Series Premiere, Thursday 4/9 – This is Dan Levy’s latest comedy so that alone make it worth a watch and we follow him as one of two siblings blackmailed into organized crime.
  • Miniature Wife (Pea) Series Premiere, Thursday 4/9 – I just dropped Peacock but this dramedy could be fun as Elizabeth Banks accidently gets shrunken down.
  • Hacks (HBO) Season Premiere, Thursday 4/9, 9pm – The fifth and final season of this show that consistently makes my top ten, how will the ladies send it off.
  • Malcolm in the Middle: Life’s Still Unfair (Hulu) Series Premiere, Friday 4/10 – This new chapter of this show brings us back for the parent’s 40th anniversary, this story was never my absolute fave but the cast is always top notch so curious to see where they pick up.
  • The Audacity (AMC) Series Premiere, Sunday 4/12, 9pm – I don’t get AMC anymore but this series has some good pedigree as it takes a comedic drama look at the power players of Silicon Valley.
  • Euphoria (HBO) Season Premiere, Sunday 4/12, 9pm – It’s been a minute but these high schoolers turned young adults are back.
  • Margot’s Got Money Trouble (App+) Series Premiere, Wednesday 4/15 – I didn’t read this book but again a great pedigree and Dakota Fanning as Margot has promise.
  • Beef (Net) Season Premiere, Thursday 4/16 – I didn’t love the stress of the first season of this so not sure I’ll prioritize the latest chapter of this anthology.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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new and noteworthy tv: 3/23-4/5

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We got the end of season 1 cute underdog cheer Stumble (NBC), and while I had Peacock (ending shortly) I also did Russian Spy action Ponies which I found fun. I finally finished up Black Rabbit (Net) which I found tiresome to watch their downward spiral. And Wonder Man hit Hulu so I didn’t have to wait for a Disney upgrade and this was Marvel but Marvel done best when it’s an actual standalone story that pulls you in.

As for movies I wasn’t up for anything significant so tried out War Machine which was admittedly not great but a fine way to distract oneself for an evening.

  • Daredevil: Born Again (Dis+) Season Premiere, Tuesday 3/24 – I don’t actually have Disney right now, but I liked the first season of this well enough to see how Murdock and Fisk face off.
  • Bait (Am) Series Premiere, Wednesday 3/25 – Riz Ahmed stars as a struggling actor with a big break in this comedy and things maybe spiral out of control.
  • Something Very Bad is Going to Happen (Net) Series Premiere, Thursday 3/26 – We follow a bride and groom heading up to their nuptials and as a horror series it might not go so well.
  • Your Friends & Neighbors (App+) Season Premiere, Friday 4/3 – I enjoyed the first season of this but maybe need to time my month of Apple for the end of this on 6/5 and pick up Shrinking.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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new and noteworthy tv: 3/9-3/22

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These week’s catchups included finishing Fallout on Amazon, which didn’t quite match the first season’s fun. I also caught the first and unfortunately only season of Etoile, a bummer that didn’t get more eyeballs after the success of Maisel, this international ballet chaos was fun. I also finally caught up with Heated Rivalry on HBO which took a minute to hook me (the time jumps in the first couple of episodes felt stilted but it became emotionally compelling after a bit).

For movies I did Blue Moon on Net which felt a little stagey and unfun. I thought Rental Family on Hulu ended up being really sweet. Urchin was also a bummer and while probably well done not my fave watch.

  • One Piece (Net) Season Premiere, Tuesday 3/10 – I was surprisingly charmed enough by this manga adaptation that I’ll tune back in.
  • Sunny Nights (Hulu) Series Premiere, Wednesday 3/11 – Will Forte and D’Arcy Carden’s characters team up to set up a spray tan business in Sydney and somehow get caught up in the criminal underworld.
  • Scarpetta (Am) Series Premiere, Wednesday 3/11 – I used to read all of these books and while I don’t know that I love Nicole Kidman in this I’ll definitely be checking it out, the main character is a medical examiner who of course gets overly involved in the crimes.
  • The Madison (Para+) Series Premiere, Saturday 3/14 – Another Taylor Sheridan, this one with Michelle Pfeiffer and Kurt Russell covering a family from Montana to New York.
  • The Oscars (ABC) Sunday 3/15 – I don’t always watch this anymore once I’ve grabbed the best pic nominees for watching I’m usually set these days, and good outfits are all online.
  • Imperfect Women (App+) Series Premiere, Wednesday 3/18 – This thriller looks at crime’s impact on three friends with Elisabeth Moss and Kerry Washington.
  • Deadloch (Am) Season Premiere, Friday 3/20 – The first season of this small town murder was a fun one.
  • The Faithful (Fox) Series Premiere, Sunday 3/22, 8pm – I just can’t get excited about a women of the bible dramatization.
  • The Forsytes (PBS) Series Premiere, Sunday 3/22, 9pm – A take on the Nobel Prize winning book series The Forsyte Saga.
  • The Count of Monte Cristo (PBS) Series Premiere, Sunday 3/22, 10pm – The old tale returns.
  • The Comeback (HBO) Season Premiere, Sunday 3/22, 10:30 – I had heard they were doing another of these series, Lisa Kudrow is great in this faux reality show though it can be a little too cringy for me to love.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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new and noteworthy tv: 2/23-3/8

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I cruised through the final season of Queer Eye (Net) which I have to admit has always been good but not great, glad they were able to touch a few more lives before they tuned out. I also caught the series Big Boys (Hulu) which had been on someone’s best list, it was sweet but not in contention for me.

I’ve also managed to finish up many of the noted ‘best’ movies before I did my must see movies of 2025. Secret Agent and Twinless made the list but contenders Sacramento, Sentimental Value, Marty Supreme, Left Handed Girl, It Was Just an Accident, and Hamnet missed the cut. This weekend dialed out with lighter fare Predator Badlands which was actually kind of sweet and fun and Splitsville which was a bit too random for me.

  • Paradise (Hulu) Season Premiere, Monday 2/23 – The first season was entertaining enough, not sure I’ll appreciate the story shift in season 2 but we’ll see.
  • The Fall and Rise of Reggie Dinkins (NBC) Series Premiere, Monday 2/23, 8:30pm – Tracy Morgan return to series is a disgraced former football player rehabbing his image with Daniel Radcliffe.
  • CIA (CBS) Series Premiere, Monday 2/23, 10pm – I almost assumed this was one of the currently running CBS series but just another spinoff, this one is Tom Ellis as the loose cannon with a by the books partner in NY.
  • Scrubs (ABC) Reboot Premiere, Wednesday 2/25, 8/8:30pm – The gang is back with crews new and old.
  • Marshals (CBS) Series Premiere, Sunday 3/1 – One of the Duttons of Yellowstone brings justice to Montana.
  • American Classic (MGM) Series Premiere, Sunday 3/1 – Kevin Kline, Laura Linney, and Jon Tenney star in this comedy about a family full of drama.
  • DTF St. Louis (HBO) Series Premiere, Sunday 3/1, 9pm – A love triangle and one of them turns up dead.
  • RJ Decker (ABC) Series Premiere, Tuesday 3/3, 10pm – Scott Speedman stars as the title character, an ex-con and disgraced newspaper photographer who turns his skills to PI-ing, based on a Carl Hiaasen so sure.
  • Young Sherlock (Amazon) Series Premiere, Wednesday 3/4 – Guy Ritchie brings us a look at the origin story.
  • This City is Ours: A Crime Family Saga (AMC) Series Premiere, Thursday 3/5 – Notorious gang boss steps back and triggers a violent power struggle.
  • Vladimir (Net) Series Premiere, Thursday 3/5 – An English professor throws her life into chaos when she becomes enamored with a new colleague.
  • Rooster (HBO) Series Premiere, Sunday 3/8, 10pm – Steve Carell steps into a new comedy focusing on his character’s complicated relationship with his daughter.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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must-see movies of 2025

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I do watch movies year round. I try to do at least a movie a week instead of always being sucked into tv shows but with all the releases toward the end of the year it always feels like a race to the finish. Plus I like to see everything nominated for best picture (even though watching the movies seems to tank my choices in the Oscar pool).

  1. Frankenstein – I didn’t feel like as I was going to pick this as a best pic but overall I think the visuals and characters stuck with me. A visually rich reimagining of Mary Shelley’s classic, this adaptation leans into both horror and humanity. Rather than focusing solely on spectacle, it probes the loneliness and longing at the heart of the story. The result is haunting, ambitious, and surprisingly emotional.
  2. The Secret Agent – A taut espionage thriller rooted more in atmosphere than explosions. Slow-burn tension, layered loyalties, and a morally ambiguous protagonist keep the story simmering. It’s smart, restrained, and trusts the audience to stay with it.
  3. Sinners – A bold, genre-blending drama that layers social commentary with pulsing energy and striking visuals. With commanding performances at its center, the film wrestles with morality, ambition, and the cost of chasing something bigger than yourself. It’s stylish, provocative, and impossible to ignore. And you know I dig a vampire.
  4. A Nice Indian Boy – Rom coms are harder to do than they look and this worked. A heartfelt romantic dramedy that navigates love, culture, and family expectations with warmth and humor. What could have been predictable instead feels personal and grounded, thanks to a charming lead performance and an honest look at identity, belonging, and what it means to choose your own path.
  5. Caught Stealing – A mess from start to finish in the best way balancing action and humor. A gritty crime drama with kinetic pacing and morally complicated characters. As its protagonist gets pulled deeper into a world he barely understands, the tension ratchets up steadily. Stylish and intense, it’s built on momentum and sharp performances.
  6. Companion – A sleek psychological thriller that starts intimate and spirals into something far more unsettling. What begins as a seemingly simple relationship story turns into a sharp exploration of power, technology, and control. It’s tense, stylish, and just off-kilter enough to keep you leaning forward the entire time.
  7. Train Dreams – A meditative, almost poetic portrait of solitude and survival in early 20th-century America. I don’t love a slow movie but this was thankfully under 2 hours. With sweeping landscapes and restrained storytelling, the film embraces quiet moments over bombast. It’s contemplative and deeply human, rewarding patience with emotional resonance.
  8. One Battle After Another – This movie was a lot and not always in a good way but as an ambitious, high-wire narrative that blends political tension with dark humor and propulsive storytelling it mostly works. Driven by powerhouse performances and bold direction, it’s a film that refuses to sit still. Big in scope but grounded in character, it’s the kind of movie that sparks post-credits debate.
  9. Twinless – An offbeat character study that finds dark humor in loneliness and connection. Focused on unlikely bonds and the awkwardness of grief, it balances absurdity with surprising tenderness. It’s quirky without trying too hard and heartfelt without tipping into sentimentality, the performances lock this in.
  10. Sorry Baby – A sharp, intimate dramedy that balances vulnerability with wit. Centered on a woman navigating unexpected upheaval, the film finds humor in discomfort without undercutting the emotional stakes. It feels specific, lived-in, and refreshingly honest.

What did I miss? Would love to know what some of your faves were last year.

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new and noteworthy tv: 2/9-2/22

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Finishing off and starting a few shows for my top tv post so Slow Horses (App+) was a win. Boots and Too Much (Net), the first had a lot of charm and the second had its moments. I also randomly picked up the Mad About You (Hulu) continuation, which felt like more of a downer than I remember from the first. Also finished Shifting Gears (ABC/Hulu) which is very TGIF but not much more.

  • Cross (Am) Season Premiere, Wednesday 2/11 – I was meh on the first season but will tune back in.
  • Love Story (FX/Hulu) Series Premiere, Thursday 2/12, 9pm – Ryan Murphy is tackling love this time with JFK Jr and Carolyn Bessette.
  • Dark Winds (AMC) Season Premiere, Sunday 2/15 – This series overall is really good but I don’t get AMC anymore so wait for the eventual run on Netflix.
  • Reality Check: Inside America’s Next Top Model (Net) Series Premiere, Monday 2/16 – A doculook at one of the better trash tv shows, who didn’t learn about smizing.
  • 56 Days (Am) Series Premiere, Wednesday 2/18 – Based on a bestselling novel a could fall for each other and then an unidentified body might show us where the relationship ends.
  • The Night Agent (Net) Season Premiere, Thursday 2/19 – I have yet to catch season 2 but it’s back for a third.
  • Watching You (Hulu) Series Premiere, Friday 2/20 – A one-night stand is captured on hidden cameras but that’s just the start of the drama.
  • Portobello (HBO) Series Premiere, Friday 2/20 – The true story of a beloved TV host accused of being in a criminal ring.
  • Strip Law (Net) Series Premiere, Friday 2/20 – Adult animated comedy about an uptight lawyer and a flashy magician.

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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best, tv

top tv of 2025

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I almost force myself to make this list so that when people ask me what I liked on TV I can actually try to remember (or have a good reminder). There were lots of good things that didn’t make the cut, and some flaws in those that did. And as always the order could very quickly vary.

  1. Murderbot (Apple TV+) – I was surprised this didn’t make more lists. A sharp, funny sci-fi series centered on a self-aware security android played by Alexander Skarsgård who would much rather binge its favorite shows than interact with humans, but keeps getting pulled into protecting them anyway. Action, humor, and unexpected heart all land. I’m very much looking forward to the next adventure.
  2. Slow Horses (Apple TV+) – I kept putting off starting this because there kept being more seasons to watch, but at only 6 episodes each I ended up tearing through this. One of the most consistently satisfying shows on TV. Gary Oldman remains perfectly feral, the ensemble is stacked, and the balance of cynicism, competence, and character-driven plotting continues to work season after season. Smart, tense, and surprisingly funny without tipping into parody.
  3. The Lowdown (FX / Hulu) – Ethan Hawke and the rest of the supporting cast were all wonderful, and I thought the slightly inept investigation actually held together. A grounded, character-driven series that digs into power, influence, and the personal cost of being close to the center of things, balancing tension with quieter, human moments.
  4. Dying for Sex (FX / Hulu) – This was honestly a tough one, but they did such a lovely job showing Michelle Williams’ character’s evolution, supported by a strong cast. A deeply intimate and surprisingly funny exploration of illness, sexuality, friendship, and what it means to reclaim agency when time feels uncertain. Raw without being voyeuristic.
  5. Hacks (Max) – Still firing on all cylinders. Jean Smart and Hannah Einbinder are just so good. I always want them to get along, but there’s something compelling about them on opposing sides. This season doubles down on ambition, resentment, loyalty, and reinvention, anchored by razor-sharp writing and performances that continue to elevate the show beyond a standard comedy.
  6. Long Story Short (Netflix) – I’m not a big animation person but Raphael Bob-Waksberg has done favorites Bojack and Undone and finds a new lens that works. A clever, emotionally resonant series that uses time jumps and snapshots to tell a larger story about family, relationships, and how small moments echo across years.
  7. The Pitt (Max) – This show is relentless. I’m actually not sure it’s all that good, but you never get a chance to take a breath, and the cast is completely locked in. A tense, immersive medical drama that leans into realism, moral ambiguity, and pressure-filled decision making, capturing the intensity of systems stretched to their limits.
  8. Task (Netflix) – Not an easy watch, but the dual protagonists’ stories pulled you in and kept a pit in your stomach. A propulsive crime thriller that keeps raising the stakes, driven by strong performances and a plot that resists easy answers or clean resolutions.
  9. Pluribus (Apple TV+) – This didn’t work in its entirety for me, but I’m giving bonus points for the innovation and for the fact that Rhea Seehorn can pull off even the things I wasn’t sure I fully bought. An ambitious, idea-forward series that explores big social and technological questions through layered storytelling and sort of an ensemble cast, leaning more thoughtful than flashy.
  10. The Bear (FX / Hulu) – Not quite up to the first and second seasons for me, but they keep finding ways to bring the tension, pairing season-long arcs with standout episodes and character development. As stressful and electric as ever, the show continues to balance chaos, grief, ambition, and growth without losing the intensity that made it essential.

I’m still working through my HBO backlog. This year I watched a few things that would have likely made their respective lists. The Leftovers which was so weird but good but… and went back and picked up Mare of Eastown after watching Task (same creator) and Betty because who doesn’t love gals who skateboard.

What were your faves?

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new and noteworthy tv: 1/26-2/8

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Continuing to make use of my temporary Apple TV subscription, I had really started it to get Pluribus which was good, a little weird and I had some quibbles with parts of the story. I also caught Sugar which I enjoyed though the very noir crime vibe took a weird turn. And while I was there I caught the latest season of Platonic, and I didn’t love the first seasons so not sure why. I also finished up The Beast in Me on Netflix which was entertaining enough though a bit ridiculous. And the return of King of the Hill, a show I remember watching but not sure I stuck with it, the return with years passed opened some new opportunities but still a pretty standard sitcom.

On the movie side of the fence I caught F1 which was a fun enough sports arc, though again a little ridiculous. And watched The Friend on Hulu which I was actually expecting a bit more Great Dane hijinks than maudlin but of course good performances by Watts and Murray. Then hearing good things about 28 Years Later I went back and caught both 28 Days Later and 28 Weeks Later, Days held up but Weeks and Years were both meh (and I don’t think Years acknowledged the plot of Weeks). I also picked up Eddington which while you can’t knock the cast, I found it kind of painful.

  • Wild Cards (CW) Season Premiere, Monday 1/26, 8pm – I find this detective + criminal caper series fun.
  • Wonder Man (Dis+) Series Premiere, Tuesday 1/27 – We follow an actor trying to get his career started with an opportunity to star in a remake.
  • Shrinking (App+) Season Premiere, Wednesday 1/28 – I’ve mistimed my Apple subscription and think I’ll take a month off before coming back from this, or I could delay further…
  • The Olympics (NBC) The opening ceremony kicks off from Milan on 2/6 and the sporting continues.
  • The Burbs (Pea) Series Premiere, Sunday 2/8 – Inspired by the comedy/horror film a family moves back to the hubs childhood home and stuff happens.
  • Super Bowl (NBC) Sunday 2/8 – This is actually happening in the Bay Area so I need to keep my eye on activities (to avoid).

The procrastinator lists mostly scripted items that may not be on your regular season pass, though notation does not imply recommendation. Times noted are typically PST, please check your local listings.

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