I don’t do much typical show review posting here but last night’s viewing of ‘New Amsterdam’ made me pause and think about some of these fantastical shows that I love. And some that I don’t. I didn’t love ‘New Amsterdam’. The premise is that the lead character has been alive for centuries because some native americans blessed/cursed him whilst saving his life, for saving theirs, to live until his soul is merged with his one true love, or something like that. So after all the years he’s still in New York and is a homicide detective.

Often I like the irregular (some say sci fi but I think it’s really more/other than just that) show because it allows the show to create a new or alternate world, create different limitations or abilities, and watch how the character(s) move within this world. But with the freedom of creating unreal elements to a show comes the burden of scoping the longevity, having them make sense, and most importantly having it add to the show. But even more importantly it does not remove the responsibility of having interesting characters and telling a good story.

So that brings me back to the not in love… I wasn’t crazy about the premise of this guy living forever-ish. I mean he’s kind of like a vampire but not, that’s fine. But they could have put a little more effort into the manifestation story (why is saving his life tied to not getting old? and why is not getting old tied to finding his soul mate?). And the display of his having a near fatal something-like-a-heart-attack when being in the presence of a ton of women one of whom must have been ‘the one’… so with such a strong reaction he’ll at least know when he meets her again, right? But I can let the premise issues slide to see how they develop.

What I have trouble letting slide are that the side effects of his being alive for so many years are a little unbelievable, particularly that all of them came out in the first episode. He designs tables that he can sell for tens of thousands of dollars because they appear as if made by the original craftsman, him (though clearly people could tell that it’s not old wood among other things). He reads lips because he at one time was deaf. He knows that a certain artist uses gold in their painting when a murder victim has it under her nails because of course he used to go out with this artist. And I’m just not sure these unbelievable items add to the show. Though I am willing to cut him a little slack for having lived several more exciting lives than I live. And don’t get me wrong, my life is exciting.

But… the worst thing is that he’s sort of annoying and as a detective show the case couldn’t have been more boring. I didn’t dig the way he just says stuff to regular people about having like 600 girlfriends, and being an alcoholic for like 6,000 days, and I assume calling his dog like 36 because he’s lived through so many of them. And seriously you can’t work and live in the same city, even New York, forever without people seeing you not get old and getting way too far into your business. There seems to be at least a bartender buddy who knows his deal which could be an interesting aspect.

Now I don’t mean to pick on ‘New Amsterdam’, I will even almost positively watch it again since I think you can rarely get the full sense of series from the pilot. I just thought it was a good example of some of the issues I was having with some other new series. ‘Bionic Woman’ had a good premise but not a great lead and laughable cases. ‘Moonlight’ has been done before, and better, with a more interesting cast, though the lead is decent. ‘Reaper’ was a fantastic pilot with fun, interesting characters but week after week I found myself looking for something new.

Now I realize shows like ‘Buffy’ don’t come around every day where there are people who loved it despite (as well as because of) its fantastical elements. And I don’t want to pick on sci fi shows in general, there are a ton of shows with a bad premise, bad characters, and bad stories. But as we all know I’ll keep watching, any and all, waiting and hoping for the gems.

Well we’re almost there… This weekend the WGA has reached a tentative deal with the Alliance of Producers that would include terms that apparently look agreeable, including compensation for works distributed online. They’ll officially vote on Tuesday but folks are expected to rev things up starting today for the writers to be back as early as Wednesday.

So what does this mean for tv? Well some of the shows are hoping to ramp back up to finish out some episodes this season and some won’t be back until next year. Not so much a consideration as to the shows long term prospects, more based on that fact that shows like half hour sitcoms are quicker and easier to gear back up. Though of course there are a few casualties that just aren’t going to be back, but you can’t blame the strike for no more Bionic Woman or Big Shots. For a regularly updated list of back to work plans, TV Guide has a nice page of expectations per show.

And it looks like there will in fact be a fall season, but the strike, among other costs concerns, is making the studios lean towards a leaner season. Typically they spend a lot of time developing a lot of scripts and producing more pilots than they would ever use. So will fewer development deals be merely a more critical eye and more cost effective displays of direction? Or will fewer things developed turn out the same percentage of good ones, meaning we’ll just see fewer gems?

And of course for the Oscars the show will go on, which was always going to be the case, but I’m not sure what Plan B was really looking like… So Jon Stewart may have a little less time to get his jokes polished, but thanks to the fashion gods for smiling on us, we’ll have a real red carpet.